The dilemma of weaving
The term "texture" is of English origin (texture), but there is no equivalent in other languages, German is spoken of Klangstruktur, today the term has undergone a major boost and it was that widely used.
attention to the texture already exists in 1800, when the dramatic expression was based the texture as well as other musical dimensions, with the use of a particular instrument or a specific range of sound to accompany a scene. At the end of '800
weaving was seen as "sound painting" in which the sound that was used to create objects and natural elements, but this tendency, already present with Beethoven, is also found in the middle of 1900 with Messiaen, convinced that only certain revisions could recall specific environments.
Today the issue is complex, but still far from finding his own theory: Lewis Rowell, American ethnomusicologist and researcher as well as music theory teacher at the University of Oklahoma, Cincinnati and Hawaii, wrote copiously on time and the rhythm of the music, the history of music theory, philosophy of music and music in India. There are numerous prizes and awards for his work, which, inter alia, proposes eight categories of textures. The fact remains that any aspect of music can be used from a viewpoint of texture, such as the pitch of notes produced by an instrument in which case this aspect is not so much in the melody of a song as expressiveness and meaning that you want to give a composition.
Beatrice Eleanor
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