Gallbladder Cancer Color

voice

I think it is important to understand and discern, to think about everything. In the study I have always been so, I go deeply into the fundamental issues that I deal with it as far as we know a given argument we always end up finding something new that had not noticed or that had been noticed but you could look at another new perspective.
The reflection period on my last entry should be more and more towards the realization of the "necessity" of a medical examination. I speak of the famous speech therapist, a doctor's voice, with a brief analysis gives a response on the patient's vocal cords, giving information on their health status and adding a few comments on the scientific nature of their length, thickness and type of vowel. A visit I would now beginning to come out a little 'stamp and the actual color of my voice, to remove the cloud of mystery surrounding my kind of soprano. The key issue is to be a good singer before any part of an effect of type and form of footage, because the most important thing is to sing well does not hurt their ears and neighbor before entering into any discourse, but the curiosity of understand "who you are" vocally there is always the first day when you realize that you have an identity from this point of view. Not by chance that the voice is an important feature that allows us to distinguish between a person we know too many eyes closed, and the original tone, a characteristic may be the luck of a singer or otherwise may arise as a result of artistic slating. To This desire to find their own identity, to discover and understand I need a visit. The thing holding me back most is trivially "fear" of being put something in my throat and to be taking pictures as it usually happens by a speech pathologist. The doctor then gives the patient to bring all of these shots souvenir of the experience, then the singer can idealize but that can be compared neither more nor less of radiographs. In my mental operation
dissection of my voice, I sought help with a staff to establish the boundaries on my extension and my log. While the extension is easier to determine, since it takes into account all the sounds that can be issued, the record is more complex, since it takes into account the quality of the notes issued, especially with regard to the audibility of the voice. Reflecting
and vocalizing, I can now say with certainty, with reference to European music notation, that my full extension is from LA2 to FA6, since this relative importance. However, with respect to the register, the boundaries should be placed on DO3 and REb6, the literature confirms that in my natural voice. Moreover, like all the sopranos, but I present the classical features of this vocal group:
1) Substantial change in voice quality of DO3.
2) Joint Registry chest and short, and prevalence log head.
3) Switching between MI5 and FA5 (but I am convinced personally that you have another step up DO4).
4) Presence of overload.
In this self-analysis, which has tried again to myself for the umpteenth time what everyone always told me, that is to say that I am a soprano and you can not escape from this, however, have gone further. As for my extension below middle C, up to Lab3 notes are still large, dense, very audible and stamped, below, to become MI3 cavernous throat, still distinguishable but much less powerful then they decreased until extreme, getting more and more off until whispered. In the interval reconstructed log
DO3 - RE4 is in the chest, the composite log is between RE4 and F # 4, this as the precedent set a few notes, then go ahead to the top REb6. Both the notes in the chest that those enterprises have a good consistency, they are strong, vibrant and fairly, while the log is stamped head, easy, full and rounded. As I mentioned earlier, I noticed what I would call a level crossing DO4, perhaps to my own anatomy, but it's no secret that many singers and scholars believe there may really be more than one crossing point, or perhaps (hazard hypothesis) a double step may occur in some people and not others.
This account of the mysterious second pass and high notes from a RE6 FA6 which put out of my register at least for now because I still rare for the issue, small and lacking in effective technical skills at the same time lead to a conclusion in terms of logical and at the end of this posting. The possibility that such overload could one day become part of my registry and not only of my extension is probably remote, and shows how these considerations are not entirely definitive, since my voice still carries the sign "Work in progress."

Beatrice Eleanor